Category Archives: Pop Haydn’s Post-Modern Medicine Show

Posts about Pop’s Post-Modern Medicine Show, a full two-hour live variety show.

Good Time at the Fiddlers Convention


Fiddlers Convention

Old Time Fiddlers' Convention and Festival -- Goleta, CA

Magill and I had a great time in Goleta, California today at the Old Time Fiddlers’ Convention and Festival.

This was the 40th of these festivals, and the weather was perfect–sunny but not hot, and slightly breezy.

The Old Time and Bluegrass music was so wonderful. It made me feel like I was young, and back home in the hills of Tennessee and North Carolina–that is, except for all the giant Birds of Paradise and Palm trees…

It took me back to when I was young, just starting out in magic.

I studied poetry at East Carolina University in the late 60’s with professor Dave Lawson from New Mexico. He introduced me to Blue Grass music. He had a band called the Rocky Mountain Boys, and they were very good.

I was working with the Road Co., a traveling improvisational troupe out of Johnson City, Tennessee (this was around 1974-5). Through working with the Road Co., I became friends with Tom Bledsoe, John McCutcheon, Richard Blaustein, Bill Hicks and other local Old Time musicians, and performed doing magic in some fiddlers and blue grass conventions around North Carolina and Tennessee.

At one of these I worked with Janette Carter, and she invited me to perform at the Carter Family Store in Virginia. I did that a few weeks later, and I suspect I am the only magician to have worked there. I think it was my favorite show ever. I was so proud to have worked there.

It was during that time that I met “Peg Leg Sam” Jackson. Sam was an incredible singer, harmonica player, dancer, comedian and story teller from South Carolina. He had spent the early part of his career working in the medicine shows, and had a wealth of polished stories and jokes, and was an amazing blues and country harmonica player. I was first interested in the medicine shows from his stories. I will try to post more about Sam soon.

Later I opened for a lot of the Grand Ole Opry stars working at Tombstone Junction, a theme park in Cumberland Falls, Kentucky. I got to work with some really incredible performers, including Bill Monroe, Lester Flat, Bill Anderson, Loretta Lynn, Conway Twitty, Jerry Reed, Billy “Crash” Craddock, and Mickey Gilly.

I was so lucky to have this opportunity. It was quite a lesson in professionalism, showmanship and artistry.

Anyway, the beautiful surroundings of the Stow House, the perfect weather and the magnificent music took me back to some good times from when I was young.

It is a great convention, folks!

Make plans to go next year. You will have a great, great time!

http://fiddlersconvention.org/dpage.php?page_id=1

2011 Old Time Fiddlers’ Convention, Goleta, CA


2011 Old Time Fiddlers' Convention

2011 Old Time Fiddlers' Convention

I will be performing on the stage tomorrow at the 2011 Old Time Fiddlers’ Convention in Goleta, California.

Magill and I are looking forward to a wonderful time. It is a beautiful place and I think it is going to be a beautiful day. We will be hoping to see a lot of our friends out there.

For more information go to:

Old Time Fiddlers’ Convention

Rancho La Patera & Stow House
304 N. Los Carneros Road
Goleta, California 93117
Ticket prices
     $25  General admission
$20  Seniors and Students with ID
Free 17 and under

Fiddlers’ Convention on Facebook

Pop Haydn at Monday Night Tease


Monday Night Tease, Hollywood

Pop Haydn at Monday Night Tease

Sons of the Pioneers: Tumbling Tumbleweeds


The Lummis House:


 

Lummis House

 

Taken at the historic Lummis House (ca 1880), this is a fundraiser for the Historical Society of Southern California, featuring a Medicine Show with Pop Haydn and Phil Van Tee, followed by a casino night in which Phil and Pop suckered the people with the shell game, three card monte and fast and loose.

Photos are here: Lummis House

New Senior Pitchmen DVD


Here are Bobby Reynolds, S. David Walker and Wally Nash talking about the Medicine Show pitch at the 2nd annual Senior Pitchmen Reunion in Las Vegas in 2010.

Nancy Magill and I video-taped four hours of interviews at the first convention in 2009, and that became the Senior Pitchmen Reunion DVD available from www.scoundrelsstore.com

This clip is from the second annual convention DVD, the Senior Pitchmen Reunion 2010. We will be releasing this DVD in the next month or two.

Magill did all the camera work, and I did the editing and titles.

We want to thank Gene Haaheim for letting us be a part of both of these wonderful get-togethers and record them for posterity.

This is a convention of pitchmen–the guys who sell watches, puppets, svengali decks, flower bulbs, kitchen gadgets, miracle cleaners, knives and dusters on the street, in carnivals, in stores, on television and on the internet–all of them over 60 years old.

These are guys who spent a lifetime hustling, drawing a crowd, and pitching the product.

Pitchmen are not only a fascinating, unique and attractive life-style and sub-culture, they are a fountain of information on how to survive and prosper in this most basic of entreprenurial fields. But their knowledge is also helpful to magicians, salesmen, emcees and others who need to know how to draw and hold a crowd, how to control their thinking, and how to sell them a product.

Pop Haydn’s Post-Modern Medicine Show


Sophie Evans–The Girl at the Bar


Sophie Evans

Sophie Evans

Closed Monte: The Girl at the Bar

—a monte script by Whit Haydn and Sophie Evans

“Mark is in town on business, and is sitting in a quiet, expensive bar near his hotel. It is late, but he is intrigued by a beautiful, sexy lady who is sitting alone at the bar. Mark watches until he’s sure she isn’t waiting for someone. He approaches her, and the two begin to talk.

“The girl, Dianne, is both flirtatious and in high spirits. She is dressed well and acts like she has money.

“Mark buys her a drink. Dianne warms up to Mark, and he begins to think this night might be more interesting than anticipated.

“A second man, Jack, comes over to the bar to order a drink. Dianne engages him in conversation, and pretty soon Jack begins to compete with Mark for the lady’s attention. It turns out that Jack is an amateur magician, and he does a few simple card tricks, but they are not very impressive.

“Dianne is wild about them. “You’re really great! Do you do that thing with the three cards? Like they do on 42nd Street?”

“Jack launches into a lecture on the trickery involved in that swindle, and explains that no one can keep up with the cards when they are thrown by an expert card sharp such as himself.

“Dianne insists on a demonstration, and gets ticked off when she is wrong several times in a row. She is obviously very competitive, and doesn’t like to lose.

“Jack tries to quit as he begins to sense that the game frustrates her. She refuses to let him quit. “Look, I’ll bet you twenty. Don’t be such a chicken. It’s only money for Chris’ sake. Come on. Twenty on the ace this time.”

“She shames Jack into playing for money.

“Each time she plays, she misses.

“Dianne turns to Mark all in a twist, “Can you follow this? I can’t figure it out…”

“Mark says he can keep up with it pretty well. He was right every time so far, after all.

“Dianne bets another twenty, and when Mark suggest a card, she turns it and wins. She puts her palm on Mark’s chest, “You’re great!”

“Jack says, “Well look, I’m not going to play against the two of you.”

“As Jack orders a drink and is talking to the bartender, Dianne winks at Mark to get his attention, and then touches her lips with a finger. She then marks the back of the ace on it’s corner with a smudge of lipstick and gives Mark’s hand an excited squeeze.

“When Jack turns back, Dianne is insistent that he give her a chance to get the rest of her money back. Jack is now obviously unhappy with the way things are going.

“He refuses and starts to leave.

“Dianne holds him by the arm. “Oh, come on. I’ll bet you $500 that I can get it this time. I’ll put up $250 and my boyfriend here will put up $250.”

“Mark starts to protest. Dianne squeezes his knee and whispers into his ear, “Let’s you and me spend his money tonight! Come on, baby, help me show this sleaze up!”

“Mark still hesitates. Dianne whispers again, “Oh, you’ve got the money—I saw it when you bought the drinks. Don’t be an idiot. Nobody passes up a sure thing!”

“Mark gives in.

“Jack is now copping a real attitude. He puts down his stakes, and Mark and Diannematch. Jack throws the cards and turns to Dianne, “But you have to pick the card, not him. And no help.”

“Dianne stands right up to Jack. “The bets already up. We didn’t agree to that. We both put up money, its up to us to decide who chooses. Go ahead, Mark. You pick one.”

“Mark reaches for the card with the lipstick on the back. The card that he knew was the ace…

“It’s a loser.

“Jack looks up at Dianne and Mark. “You two tried to cheat me, didn’t you?”

“He picks up the money and turns away, as he walks off he says, “Shouldn’t try to kid a kidder…”

“Dianne turns to Mark. “I can’t believe it! I think I’m going to be sick. How could that have happened? Look, buy me another drink, I go to go to the ladies room.”

“Mark sits at the bar nursing two drinks for what seems like a very long time…”

— From School for Scoundrels Notes on Three-Card Monte by Whit Haydn

Photo is from a painting by Sophie Evans’ father, John Dupret.

Pop Haydn featured on Sideshow World:


Sideshow World

Nice review from “Down Under”:


Australia’s Honest Con Man’s Blog